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![]() ![]() On headphones, the soundstage follows every movement of our heads not so with speakers, where the change in what we hear as our heads move is key to locating the direction from which the sound is coming. There have been other attempts to reproduce the loudspeaker listening experience on headphones, but many have failed to compensate for head position and movement. This includes simulating the reflective qualities of a well-designed control room and applying binaural processing to create a convincingly real listening experience, to the extent that Nx can present surround mixes in 7.1, 5.1 or 5.0 formats as well as mono and stereo, all using conventional stereo headphones. In an effort to narrow that gap, Waves have developed Nx: a monitoring plug-in that slots into a DAW’s master stereo out insert point with the aim of emulating a control room/loudspeaker environment when listening on conventional headphones. We all know that listening on headphones provides a very different experience from listening on loudspeakers. ![]() ![]() Room simulation on headphones usually stops being convincing as soon as you move your head. The Nx Virtual Mix Room plug-in (left) is paired with a stand-alone program that sets up the head-tracking aspect of the product (right). ![]() ![]() ![]() Nectar is a powerful one-stop vocal processing shop. Read the full Antares Auto-Tune Pro review You can also use the Auto-Key plugin to detect the key and scale of the audio in your track, and transmit the results to all running instances of Auto-Tune.Īdvanced view has a few extras like Create Vibrato, ideal for adding a bit of wobble via an LFO, plus options to set minor and major modes, edit across multiple octaves, and MIDI input editing features.Īuto-Tune Pro is the most powerful, usable incarnation of this standard yet, and easily maintains the software's position as one of the best retuning solutions available, and may well prove to be the ultimate pitch-manipulating toolbox. With Basic, choose a voice type, select the target key and scale, set specific pitches for removal (or leave unchanged). You also get two views: Basic and Advanced. It’s operated in either of two modes: Auto and Graph, the first enabling real-time automatic re-pitching, the latter for detailed manual editing. It can do this transparently, or with the famous ‘Cher/T-Pain’-style sudden jumps in pitch. Like all Auto-Tunes, Pro takes an incoming signal and corrects any pitching, so puts an out-of-tune singer in tune. Antares kickstarted the automatic tuning revolution with Auto-Tune back in 1997. ![]() ![]() ![]()
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